Dec 10th, 2016
The Pre-pocalypse Prep series continues with Cherry 2000. Cort and Matt celebrate their 69th episode the only way they know how, by being two immature half wits acting as childishly as they can possibly muster. The film Cherry 2000 itself left the boys perplexed, confused, and unable to formulate a rational reason as to how this film turned out as it did and if there is or is not a message lurking beyond searching for a sex robot and giving the amazing Tim Thomerson a well deserved paycheck. This confusion results in both a disjointed review and some very fun outtakes.
Matt brought the politics in the #PsyopNews and our vitriol may have us in some form of “re-education” program shortly after this episode is released as allusions to a tiny-handed oompa loompa’s micro penis are made as well as other unflattering talk about the future dick-tator of the land.
Don’t Forget the contest guys and gals once we get 20 total honest reviews in iTunes and Stitcher, Cort will give away one brand new copy of Macabre from William Castle on DVD picked from those reviews and the winner will be given a chance to review the movie on the show with Cort and Matt! Just email Cort your screen name or a screencap of your review and you are entered to win!
Find us in:
iTunes: https://itunes.apple.com/us/podcast/cinema-psyops/id1037574921?mt=2
Stitcher: http://www.stitcher.com/podcast/cinema-psyops
Also available on Google Play Music
Email feedback to Matt: psyopmatt@gmail.com. Cort : cinemapsyopscort@gmail.com
Find on twitter Cort: @Cort_PSYOP Matt: @psyopmatt
Join the FaceBook group: https://www.facebook.com/groups/1616282625298374/
Like the main page: https://www.facebook.com/Cinema-Psyops-1490731064584920/timeline/?ref=hl
Every week an obsessed film collector, Cort, will subject his unwilling test subject, Matt to films from Cort’s childhood viewing habits and personal collection. Has a lifetime of movie watching damaged Cort’s young and impressionable mind? Can Matt survive each week’s experiment unscathed? Find out each week as we discover that physical wounds heal while cinematic ones don’t.
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